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	<title>The Gendered I</title>
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	<description>The literary is political.</description>
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		<title>The Yellow Wallpaper</title>
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		<pubDate>Sun, 19 Jul 2009 00:58:25 +0000</pubDate>
		<dc:creator>genderedi</dc:creator>
				<category><![CDATA[Reconsiderations]]></category>
		<category><![CDATA[The politics of narrative]]></category>
		<category><![CDATA[Charlotte Perkins Gilman]]></category>
		<category><![CDATA[Judith Butler]]></category>
		<category><![CDATA[madness]]></category>
		<category><![CDATA[narrative]]></category>
		<category><![CDATA[nineteenth century literature]]></category>
		<category><![CDATA[Sonia Sotomayor]]></category>
		<category><![CDATA[subjection]]></category>
		<category><![CDATA[subjectivity]]></category>

		<guid isPermaLink="false">http://genderedi.wordpress.com/?p=85</guid>
		<description><![CDATA[The original intent of The Gendered I was to focus on first-person narration in novels as opposed to short fiction, but there are a few short stories that transcend their allotted space in the genre to become revered voices in literature, and Charlotte Perkins Gilman’s “The Yellow Wallpaper” is one of them. That, and Senator [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=genderedi.wordpress.com&amp;blog=8607384&amp;post=85&amp;subd=genderedi&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<title>Summer Paris Review: Let&#8217;s talk about sex</title>
		<link>http://genderedi.wordpress.com/2009/07/17/summer-paris-review-lets-talk-about-sex/</link>
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		<pubDate>Fri, 17 Jul 2009 18:12:15 +0000</pubDate>
		<dc:creator>genderedi</dc:creator>
				<category><![CDATA[Gender count]]></category>
		<category><![CDATA[empathy]]></category>
		<category><![CDATA[guerilla girls]]></category>
		<category><![CDATA[literary magazines]]></category>
		<category><![CDATA[Otherness]]></category>
		<category><![CDATA[Sonia Sotomayor]]></category>

		<guid isPermaLink="false">http://genderedi.wordpress.com/?p=52</guid>
		<description><![CDATA[“Dear reader,” William Styron wrote in the The Paris Review&#8216;s inaugural issue in 1953, “The Paris Review hopes to emphasize creative work—fiction and poetry—not to the exclusion of criticism, but with the aim in mind of merely removing criticism from the dominating place it holds in most literary magazines and putting it pretty much where [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=genderedi.wordpress.com&amp;blog=8607384&amp;post=52&amp;subd=genderedi&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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			<media:title type="html">Paris Review Summer 2009</media:title>
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		<title>Introduction: In secret kept, in silence sealed</title>
		<link>http://genderedi.wordpress.com/2009/07/17/beyond-wuthering-heights/</link>
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		<pubDate>Fri, 17 Jul 2009 01:31:22 +0000</pubDate>
		<dc:creator>genderedi</dc:creator>
				<category><![CDATA[The politics of narrative]]></category>
		<category><![CDATA[nineteenth century literature]]></category>
		<category><![CDATA[subjection]]></category>
		<category><![CDATA[the Brontë sisters]]></category>
		<category><![CDATA[the first person]]></category>

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		<description><![CDATA[The human heart has hidden treasures, In secret kept, in silence sealed— The thoughts, the hopes, the dreams, the pleasures, Whose charms were broken if revealed. —Charlotte Brontë In 1847, sisters Charlotte and Emily Brontë each published the work for which she is best known—Jane Eyre and Wuthering Heights. While markedly different in style and [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=genderedi.wordpress.com&amp;blog=8607384&amp;post=12&amp;subd=genderedi&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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